William Beckford:

Recollections of an Excursion to the
Monasteries of Alcobaça and Batalha (1835)


In 1835, Beckford published his last work, the travelogue Recollections of an Excursion to the Monasteries of Alcobaça and Batalha. As the Advertisement proclaimed somewhat enigmatically, the book was an expansion of some slight notes on an excursion undertaken in 1794.

Often considered Beckford's best work beside Vathek, the Recollections is certainly Beckford's most polished piece of writing, displaying a mild wit and an array of colorful anecdotes that highlight a process of fictionalisation of fact which is integral to Beckford's writings considered as a whole. The entire work was composed in Bath, fourty years and many hundred of miles from the places described within it: the serene settings of Lansdown Crescent and Lansdown Tower (depicted on the left), and the "expansion of memory", were the creative framework of its conception.

Please use the chapter links below to continue on to this online edition of the Recollections. As this book has been scanned using OCR, errors have no doubt survived; the edition should be used as a rough study-aid only and the printed editions consulted whenever a quotation is needed. Please e-mail the keeper of the website regarding any errors, small or large, at this e-mail address. The Editor would also like to thank Stephanie Mikes for valued help with the proof-reading of this edition.

Italics have not been retained in this online edition. The original pagination is provided within square brackets and the Notes are found after the Twelfth Day.

 

 

"ADVERTISEMENT.

THE other day, in examining some papers, I met with very slight notes of this Excursion. Flattering myself that, perhaps, they might not be totally unworthy of expansion, I invoked the powers of memory – and behold, up rose the whole series of recollections I am now submitting to that indulgent Public, which has shown more favour to my former sketches than they merited.

LONDON,
June 1835."

FIRST DAY.

Supreme command given to two distinguished Prelates to visit the Monasteries of Alcobaça and Batalha, and a royal wish expressed that the Author should accompany them. - Preparations in high style for the Journey. - The general Rendezvous. - Departure. - Nossa Senhora de Luz. - Lumiares. - Domain of the Monks of St. Vincent. - Reception there

SECOND DAY.

A Morning Walk. - Boundless Orchards of Orange and Apricot. The River Trancaô. - Magnificent Bay-tree. - A Fishing-party. - Happy Inclosure. - An Afternoon Ramble to the Palace of the Patriarch, and its immense Parterre. - Musical contest between Frogs and Nightingales

THIRD DAY.

Curious Conversation with an Ex-missionary from China. -Wonders of the Imperial Gardens. - Strange Belief of the Emperor of China

FOURTH DAY.

A first-rate Blessing. - The Duke d'Alafoens' Chateau. - The great Highway to the Caldas.- Extensive Fertility. - Cadafaiz. - Boundless Vineyard. - Eggs of the Sun. - A calm Retirement. - Peaceful State of Portugal compared to other parts of the Continent

FIFTH DAY.

A Ramble over the Hills. - Beautiful Grotto.- Reminiscences of Gil Blas. - Journey resumed. - First Sight of Alcobaça. - Pompous Reception. - The Three Graces of Holiness. - Gloomy Church. - Sepulchral Chapel of Pedro the Just and Iñez. - Interrupted Reveries. - Enormous Kitchen. - Hospitable Preparations. - The Banquet Hall. - The Banquet. - Tiresome Minuets. - Ineffectual Offer. - Ceremonious "Good Nights"

SIXTH DAY.

Endless Corridors and a grim-looking Hall. - Portrait of St. Thomas à Becket. - Ancient Cloister. - Venerable Orangetrees. - Sepulchral Inscriptions. - The Refectory. - Solemn Summons to Breakfast. - Sights. - Gorgeous Sacristy. Antiquities. - Precious Specimen of Early Art. - Hour of Siesta. - A Noon-day Ramble. - Silence and Solitude. - Mysterious Lane. – Irresistible Somnolency of my Conductor. - An unseen Songstress. - A Surprise. - Donna Francisca, her Mother and Confessor. - The World of Alcobaça awakened. - Return to the Monastery, - Departure for Batalha. - The Field of Aijubarota. - Solitary Vale. - Reception at Batalha. - Enormous Supper. - Ecstasies of an old Monk. - His sentimental Mishap. - Night Scene. - Awful Denunciations

SEVENTH DAY.

Morning. - The Prior of Batalha. - His Account of the Nocturnal Wanderer. - A Procession. - Grand Façade of the Great Church. - The Nave. - Effect of the golden and ruby light from the windows. - Singularly devout celebration of High Mass. - Mausoleum of John the First and Philippa. - Royal Tombs. - The Royal Cloisters. - Perfect Preservation of this regal Monastery. - Beautiful Chapter-house. - Tombs of Alphonso the Fifth and his Grandson. - Tide of Monks, Sacristans, Novices, &c. - Our Departure. - Wild Road. - Redoubled kindness of my Reception by the Lord Abbot, and why. - Dr. Ehrhart's visit to the Infirmary, and surgical raptures. - A half-crazed Poet and his doleful tragedy. - Senhor Agostinho in the character of Donna Iñez de Castro. - Favouritism, and its reward

EIGHTH DAY.

Too much of a good thing. - My longing for a Ramble. -Sage resolves. - A Gallop. - Pure and elastic Atmosphere. - Expansive Plain. - Banks of the River. - Majestic Basilica of Batalha. - Ghost-like Anglers. - Retrospections. -The Conventual Bells. - Conversation with the Prior. - A frugal Collation. - Romantic Fancies. - The Dead Stork and his Mourner. - Mausoleum of Don Emanuel. - Perverse Architecture. - Departure from Batalha. - Twilight. - Return to Alcobaça

NINTH DAY.

Lamentations on our Departure, and on the loss of Monsieur Simon. - Mysterious Conference. - A sullen Adieu. - Liveliness of the Prior of St. Vincent's. - Pleasant Surprise. -Vast and dreary Plain. - A consequential Equerry. - An Invitation. - The Bird-Queen. - Fairy Landscape. - The Mansion. - The great Lady's Nephews. - Reception by her Excellency. - Her attendant Hags. - The great Lady's questions about England and dismal ideas of London. - The Cuckoo. - Imitations. - Dismay of her Sublime Ladyship and her Hags. - Our Departure from the bird-ridden Dominions. - Cultivated Plain. - Happy Peasantry, and their gratitude to the Monks of the Royal Convent. - Their different feelings towards the great Lady. - Female Peasants bearing Offerings to our Lady of Nazarè. - Sea View. - Pedraneira. - Banquet of Fish. - Endless Ravine. - Alfagiraõ. - Arrival at the Caldas. - Sickly Population. - Reception of Dr. Ehrhart. - His Visit to the Invalids, and contempt of the Medical Treatment of the place. - A determined Bore. - His Disaster

TENTH DAY.

Knavish Provedore. - Leave the Caldas. - Obidos. - Aboriginal-looking hamlet. - Exquisite Atmosphere. - Pastoral Hymns to St. Anthony. - Bonfires on the Eve of his Festival. - Reception at Cadafaiz. - Delightful change

ELEVENTH DAY.

Excursion to a Franciscan Convent. - A Miracle. - Country resembling Palestine.-Innumerable Assemblage of Peasants. - Their sincere Devotion. - Sublime Sight. - Observations of the Prior of Aviz. - The Benediction. - Ancient Portuguese Hymn. -Its grand effect on the present occasion. - Perilous descent from the Mountain. - A Mandate from the Prince. - Evening. - Music and a Morisco Dance

TWELFTH DAY.

Dreary expanse of Country between Cadafaiz and Queluz. - Arrival at the Palace. - Court Lumber. - Observations of the Marquis of Anjeja relative to the Prince-Regent. - Promised Promised Audience of his Royal Highness. - Visit to the forbidden Gardens. - Surprise of an African Gardener. - A Pavilion. - Night-scene. - Preparations for a Fête. - The Infanta's Nymph-like Attendants. - The young Marquis of Marialva. - Interview with her Royal Highness. - A Race. - A Dance. - The Prince's Summons. - Conversation with him. - Character of that Sovereign. - Baneful influence of his despotic Consort. - Unhappy Aspirants to Court Benefits. - Private Conference with the Marquis. - The Prince-Regent's Afflictions. - His Vision. - Anjeja's urgent Request. - Terrible Cries from the Queen. - Their effect on me. - My Departure from the Palace